The British Museum's fascinating ongoing investigation of the Norwich Shroud, with photos.
With the shroud unfolded for the first time (although still in need of much conservation attention) David Saunders, Keeper of Conservation and Scientific Research, Emma Passmore, Mellon Research Fellow, Caroline Cartwright, scientist, and I made our first visit to see what had been revealed on the inner surface.
David has a longstanding interest in the use of imaging techniques to enhance and investigate painted surfaces, and our main objective was to examine areas where text has been applied.
Using specialist cameras, we took both infrared and ultraviolet images of the shroud. Infrared reflectography is often employed in research into paintings to reveal initial sketches under the final images. For the shroud, it will make the black text clearer. This will help John Taylor with his interpretation of the hieroglyphs while the conservators continue to treat the shroud, and also allow the hieroglyphs to be published clearly for international scholars.